{"id":11654,"date":"2020-05-28T11:16:15","date_gmt":"2020-05-28T09:16:15","guid":{"rendered":"http:\/\/dam.org\/wp\/?post_type=kuenstler_ui&p=11654"},"modified":"2026-09-11T17:35:29","modified_gmt":"2026-09-11T15:35:29","slug":"current_works","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/molnar-vera\/current_works\/","title":{"rendered":"Latest Works"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Current Works (2000-2021)” use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”600″][vc_column_text]A selection of Molnar’s latest work, which includes her five part series \u201c9 double signes sans signification,\u201d in which she examinated in a humorous way the geometrical forms of our most used signs like letters and numbers, inventing forms that refer to existing signs without having a significance.[\/vc_column_text][vc_column_text css=””]More works<\/strong><\/p>\n

Int\/Cont (1996)<\/a>
\nGothique (1988-1991)<\/a>
\nSainte Victoire (1989-1996)<\/a>
\nHommage \u00e0 D\u00fcrer (1990)<\/a>
\nWorks from the 1980s<\/a>
\nAlbers (1988)<\/a>
\nInterstices (1986-87)<\/a>
\nLettres \u00e0 ma m\u00e8re (1981-1990)<\/a>
\nHommage \u00e0 Monet (1981-1983)<\/a>
\nSaccades (1977-1979)<\/a>
\nHypertransformations (1975-1976)<\/a>
\n10 Trap\u00e8zes (1975)<\/a>
\n(Des)Ordres (1974)<\/a>
\n\u00c1 la recherche de Paul Klee (1970-71)<\/a>
\nInterruptions (1968-1969)<\/a>
\nEarly plotter drawings (1968)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Current Works (2000-2021)” use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”600″][vc_column_text]A selection of Molnar’s latest work, which includes her five part series \u201c9 double signes sans signification,\u201d in which she examinated in a humorous way the geometrical forms of our most used signs like letters and numbers, inventing forms that refer…<\/p>\n

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