{"id":12517,"date":"2020-08-24T12:28:38","date_gmt":"2020-08-24T10:28:38","guid":{"rendered":"http:\/\/dam.org\/wp\/?post_type=artists_ui&p=12517"},"modified":"2026-07-04T14:07:06","modified_gmt":"2026-07-04T12:07:06","slug":"lettres-a-ma-mere","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/molnar-vera\/lettres-a-ma-mere\/","title":{"rendered":"Lettres \u00e0 ma m\u00e8re"},"content":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” images=”12512,13508,13507,13506,13505,14841″ img_size=”medium” css_animation=”fade-up” css=””][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Lettres \u00e0 ma m\u00e8re (1981-1990)” use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”700″][vc_column_text]\u201cMy mother had a beautiful handwriting. A little gothic, at the same time a little hysterical. At the beginning of each line, on the left side, the writing was regular, strict, gothic, but as the line moved to the side of the page, she became more and more nervous, worried, almost hysterical.\u201d<\/p>\n

\u2013 Vera Molnar, Lettres \u00e0 ma m\u00e8re<\/em><\/a> (1991)<\/p>\n

This series belongs to a work group dealing with the structure of hand-writings. The artist recalls getting letters from her mother every week until her passing, and describes how the handwriting transformed over the years. She then evokes her mother’s handwriting, which she turns into computer drawings. Some of the plotter drawings are then covered by hand-drawn lines.[\/vc_column_text][vc_column_text css=””]More works<\/strong><\/p>\n

Latest Works (2000-2023)<\/a>
\nInt\/Cont (1996)<\/a>
\nGothique (1988-1991)<\/a>
\nHommage \u00e0 D\u00fcrer (1990)<\/a>
\nSainte Victoire (1989-1996)<\/a>
\nWorks from the 1980s<\/a>
\nAlbers (1988)<\/a>
\nInterstices (1986-87)<\/a>
\nHommage \u00e0 Monet (1981-1983)<\/a>
\nSaccades (1977-1979)<\/a>
\nHypertransformations (1975-1976)<\/a>
\n10 Trap\u00e8zes (1975)<\/a>
\n(Des)Ordres (1974)<\/a>
\n\u00c1 la recherche de Paul Klee (1970-71)<\/a>
\nInterruptions (1968-1969)<\/a>
\nEarly plotter drawings (1968)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” images=”12512,13508,13507,13506,13505,14841″ img_size=”medium” css_animation=”fade-up” css=””][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Lettres \u00e0 ma m\u00e8re (1981-1990)” use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”700″][vc_column_text]\u201cMy mother had a beautiful handwriting. A little gothic, at the same time a little hysterical. At the beginning of each line, on the left side, the writing was regular, strict, gothic, but as…<\/p>\n

Continue reading<\/span><\/a><\/p>\n","protected":false},"featured_media":0,"parent":12154,"menu_order":0,"template":"","format":"standard","categories":[],"class_list":["post-12517","artists_ui","type-artists_ui","status-publish","format-standard","hentry","entry","clearfix","entry-grid","entry-columns-default","entry-artists_ui-module-layout-standard","no-post-thumbnail","entry-artists_ui","entry-artists_ui-grid"],"_links":{"self":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui\/12517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui"}],"about":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/types\/artists_ui"}],"up":[{"embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui\/12154"}],"wp:attachment":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/media?parent=12517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/categories?post=12517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}