{"id":12882,"date":"2020-09-21T15:03:56","date_gmt":"2020-09-21T13:03:56","guid":{"rendered":"http:\/\/dam.org\/wp\/?post_type=artists_ui&p=12882"},"modified":"2026-08-25T16:12:17","modified_gmt":"2026-08-25T14:12:17","slug":"atomism","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/reas-casey\/atomism\/","title":{"rendered":"Atomism"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Atomism (2012-present)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]This series consists of different versions and applications of software in the generation of abstract forms, with the final output being both software-based generative artworks, and prints. Among others, it includes the mural A Mathematical Theory of Communication (2014), commissioned by Landmarks, the public art program of the University of Texas at Austin.[\/vc_column_text][vc_column_text]More works<\/strong><\/p>\n

Compressed Cinema (2018-present)<\/a>
\nAtomism (2012-present)
\nUltraconcentrated (2012-present)<\/a>
\nProcess Compendium (2004-2014)<\/a>
\nMicroImage (2001-2004)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Atomism (2012-present)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]This series consists of different versions and applications of software in the generation of abstract forms, with the final output being both software-based generative artworks, and prints. Among others, it includes the mural A Mathematical Theory of Communication (2014), commissioned by Landmarks,…<\/p>\n

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