{"id":13052,"date":"2020-09-24T19:32:37","date_gmt":"2020-09-24T17:32:37","guid":{"rendered":"http:\/\/dam.org\/wp\/?post_type=artists_ui&p=13052"},"modified":"2026-07-04T14:01:22","modified_gmt":"2026-07-04T12:01:22","slug":"des-ordres","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/molnar-vera\/des-ordres\/","title":{"rendered":"(Des)Ordres"},"content":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” images=”12899,13060,13061,13063,13539,14858″ img_size=”medium” css_animation=”fade-up” css=””][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”(Des)Ordres, 1974″ use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”700″][vc_column_text]In this series, Vera Molnar creates a pattern of concentric squares which is randomly disrupted in order to highlight the contrast between order and disorder and create tensions in the ortogonal structure, as if the squares were subject to a vibrating force. The title suggests a word play in French between two meanings: \u201cd\u00e9sordres\u201d (disorders) and \u201cdes ordres\u201d (some orders), which implies that within the apparent dissarray one can find an underlying logic.[\/vc_column_text][vc_column_text css=””]More works<\/strong><\/p>\n

Latest Works (2000-2023)<\/a>
\nInt\/Cont (1996)<\/a>
\nHommage \u00e0 D\u00fcrer (1990)<\/a>
\nGothique (1988-1991)<\/a>
\nSainte Victoire (1989-1996)<\/a>
\nWorks from the 1980s<\/a>
\nAlbers (1988)<\/a>
\nInterstices (1986-87)<\/a>
\nLettres \u00e0 ma m\u00e8re (1981-1990)<\/a>
\nHommage \u00e0 Monet (1981-1983)<\/a>
\nSaccades (1977-1979)<\/a>
\nHypertransformations (1975-1976)<\/a>
\n10 Trap\u00e8zes (1975)<\/a>
\n\u00c1 la recherche de Paul Klee (1970-71)<\/a>
\nInterruptions (1968-1969)<\/a>
\nEarly plotter drawings (1968)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” images=”12899,13060,13061,13063,13539,14858″ img_size=”medium” css_animation=”fade-up” css=””][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”(Des)Ordres, 1974″ use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”700″][vc_column_text]In this series, Vera Molnar creates a pattern of concentric squares which is randomly disrupted in order to highlight the contrast between order and disorder and create tensions in the ortogonal structure, as if the squares were…<\/p>\n

Continue reading<\/span><\/a><\/p>\n","protected":false},"featured_media":0,"parent":12154,"menu_order":0,"template":"","format":"standard","categories":[],"class_list":["post-13052","artists_ui","type-artists_ui","status-publish","format-standard","hentry","entry","clearfix","entry-grid","entry-columns-default","entry-artists_ui-module-layout-standard","no-post-thumbnail","entry-artists_ui","entry-artists_ui-grid"],"_links":{"self":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui\/13052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui"}],"about":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/types\/artists_ui"}],"up":[{"embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui\/12154"}],"wp:attachment":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/media?parent=13052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/categories?post=13052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}