{"id":13178,"date":"2020-10-09T09:05:17","date_gmt":"2020-10-09T07:05:17","guid":{"rendered":"http:\/\/dam.org\/museum\/?post_type=artists_ui&p=13178"},"modified":"2026-09-11T17:39:30","modified_gmt":"2026-09-11T15:39:30","slug":"sainte-victoire","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/molnar-vera\/sainte-victoire\/","title":{"rendered":"Sainte Victoire"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Sainte Victoire (1989-1996)” use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”700″][vc_column_text]In this series of laser prints from 1996, Vera Molnar pays tribute to Paul C\u00e9zanne, inspired by the sight of the Mont Sainte-Victoire, which C\u00e9zanne depicted in several of his works: \u201cThe first time I saw a Montagne Sainte-Victoire by C\u00e9zanne,\u201d states Molnar, \u201cit was as a reproduction in Budapest. Much later on, in the United States, I discovered in a book the curve described by Gauss, the famous German mathematician. I made a ton of drawings which were stolen from me. I was furious. I didn\u2019t want to know anything else about Gauss. Ten or fifteen years later, I was in Aix one morning and when I opened the window, what did I see? The Gaussian curve: it was Mont Sainte-Victoire.\u201d[\/vc_column_text][vc_column_text css=””]More works<\/strong><\/p>\n

Latest Works (2000-2023)<\/a>
\nInt\/Cont (1996)<\/a>
\nHommage \u00e0 D\u00fcrer (1990)<\/a>
\nGothique (1988-1991)<\/a>
\nWorks from the 1980s<\/a>
\nAlbers (1988)<\/a>
\nInterstices (1986-87)<\/a>
\nLettres \u00e0 ma m\u00e8re (1981-1990)<\/a>
\nHommage \u00e0 Monet (1981-1983)<\/a>
\nSaccades (1977-1979)<\/a>
\nHypertransformations (1975-1976)<\/a>
\n10 Trap\u00e8zes (1975)<\/a>
\n(Des)Ordres (1974)<\/a>
\n\u00c1 la recherche de Paul Klee (1970-71)<\/a>
\nInterruptions (1968-1969)<\/a>
\nEarly plotter drawings (1968)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Sainte Victoire (1989-1996)” use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”700″][vc_column_text]In this series of laser prints from 1996, Vera Molnar pays tribute to Paul C\u00e9zanne, inspired by the sight of the Mont Sainte-Victoire, which C\u00e9zanne depicted in several of his works: \u201cThe first time I saw a Montagne Sainte-Victoire by C\u00e9zanne,\u201d…<\/p>\n

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