{"id":13501,"date":"2020-10-25T17:54:33","date_gmt":"2020-10-25T16:54:33","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=13501"},"modified":"2026-08-22T15:18:07","modified_gmt":"2026-08-22T13:18:07","slug":"hommage-a-monet","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/molnar-vera\/hommage-a-monet\/","title":{"rendered":"Hommage \u00e0 Monet"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Hommage \u00e0 Monet (1981-1983)” use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”700″][vc_column_text]This series is dedicated to one of the three artists whom most inspired Molnars work: Claude Monet. The deconstructed the hypnotic effect of the small orange reflections of Monet’s Impression, Sunrise <\/em>(1872) through a series of compositions in which the proportion and distribution of small colored rectangles were subjected by the computer to a combination of constraint and chance.[\/vc_column_text][vc_column_text css=””]More works<\/strong><\/p>\n

Latest Works (2000-2023)<\/a>
\nInt\/Cont (1996)<\/a>
\nHommage \u00e0 D\u00fcrer (1990)<\/a>
\nGothique (1988-1991)<\/a>
\nSainte Victoire (1989-1996)<\/a>
\nWorks from the 1980s<\/a>
\nAlbers (1988)<\/a>
\nInterstices (1986-87)<\/a>
\nLettres \u00e0 ma m\u00e8re (1981-1990)<\/a>
\nSaccades (1977-1979)<\/a>
\nHypertransformations (1975-1976)<\/a>
\n10 Trap\u00e8zes (1975)<\/a>
\n(Des)Ordres (1974)<\/a>
\n\u00c1 la recherche de Paul Klee (1970-71)<\/a>
\nInterruptions (1968-1969)<\/a>
\nEarly plotter drawings (1968)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Hommage \u00e0 Monet (1981-1983)” use_theme_fonts=”yes” css=”” font_size=”22″ text_align=”left” font_weight=”700″][vc_column_text]This series is dedicated to one of the three artists whom most inspired Molnars work: Claude Monet. The deconstructed the hypnotic effect of the small orange reflections of Monet’s Impression, Sunrise (1872) through a series of compositions in which the…<\/p>\n

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