{"id":14018,"date":"2020-11-18T22:00:48","date_gmt":"2020-11-18T21:00:48","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=14018"},"modified":"2026-07-09T17:02:48","modified_gmt":"2026-07-09T15:02:48","slug":"transit-code","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/mohr-manfred\/transit-code\/","title":{"rendered":"Transit-Code"},"content":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” images=”14022,14021,14025,14024,14023,14020″ img_size=”medium” css_animation=”fade-up” css=”” hover_effect=”opacity”][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Transit-Code (2017-2018)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]In his search for visualizing his artistic ideas writing code, Mohr has occasionally rewritten or abandoned an algorithm that was not successful, then worked on them again at a later date. In the P2300 series from 2017, he used the same algorithm from the work series P1680 (2014), which consists of an n-dimensional diagonal-path divided into its even and odd segments. In the P2300 series, each square is bent 180 degrees and rotated, generating a circular form.[\/vc_column_text][vc_column_text]More works<\/strong><\/p>\n

algorithmic modulations (2019)<\/a>
\nTransit-Code (2017-2018)
\nArtificiata II (2012-2015)<\/a>
\nparallelResonance (2009-2011)<\/a>
\nklangfarben (2006-2007)<\/a>
\nsubsets.motion (2003-2005)<\/a>
\nsubsets (2003-2005)<\/a>
\nspace.color.motion (2002-2004)<\/a>
\nspace.color (1999-2003)<\/a>
\nHalf Planes (1995-1998)<\/a>
\nCounterpoint (1993-1995)<\/a>
\nLaserglyphs (1990-1993)<\/a>
\nLine cluster (1989-1990)<\/a>
\nDimensions II (1986-1989)<\/a>
\nDivisibility II + III (1984-1986)<\/a>
\nDivisibility I (1980-1984)<\/a>
\nDimensions I (1977-1979)<\/a>
\nCubic limit II (1976-1977)<\/a>
\nCubic limit I (1973-1976)<\/a>
\nEarly algorithms (1969-1973)<\/a>
\nHard edge (1966-1969)<\/a>
\nEarly work (1960-1966)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” images=”14022,14021,14025,14024,14023,14020″ img_size=”medium” css_animation=”fade-up” css=”” hover_effect=”opacity”][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Transit-Code (2017-2018)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]In his search for visualizing his artistic ideas writing code, Mohr has occasionally rewritten or abandoned an algorithm that was not successful, then worked on them again at a later date. In the P2300 series from…<\/p>\n

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