{"id":14026,"date":"2020-11-18T22:03:53","date_gmt":"2020-11-18T21:03:53","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=14026"},"modified":"2026-09-05T14:24:13","modified_gmt":"2026-09-05T12:24:13","slug":"artificiata-ii","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/mohr-manfred\/artificiata-ii\/","title":{"rendered":"Artificiata II"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[vc_separator el_width=”100%”][vc_custom_heading text=”traces” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”700″]
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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Artificiata II (2012-2015)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]This series is named after Mohr\u2019s first visual artist book, Artificiata <\/em>(1969), which was also his last hand-drawn artwork. At the time, he imagined a second version of this work which would be based on algorithms and calculated and drawn by computer, and 44 years later he created a second visual book that rendered his initial ideas in algorithmic drawings. The series comprises four parts: baseline \u2013 artificiata II<\/em> (2012 \u2013 2013), traces \u2013 capturing the history of n-dimensional rotations<\/em> (2014 \u2013 2015), projections and dimensions<\/em> (2013 \u2013 2014), and parity \u2013 fracturing n-dimensional diagonal paths<\/em> (2014 \u2013 2015).[\/vc_column_text][vc_column_text]More works<\/strong><\/p>\n

algorithmic modulations (2019)<\/a>
\nTransit-Code (2017-2018)<\/a>
\nArtificiata II (2012-2015)
\nparallelResonance (2009-2011)<\/a>
\nklangfarben (2006-2007)<\/a>
\nsubsets.motion (2003-2005)<\/a>
\nsubsets (2003-2005)<\/a>
\nspace.color.motion (2002-2004)<\/a>
\nspace.color (1999-2003)<\/a>
\nHalf Planes (1995-1998)<\/a>
\nCounterpoint (1993-1995)<\/a>
\nLaserglyphs (1990-1993)<\/a>
\nLine cluster (1989-1990)<\/a>
\nDimensions II (1986-1989)<\/a>
\nDivisibility II + III (1984-1986)<\/a>
\nDivisibility I (1980-1984)<\/a>
\nDimensions I (1977-1979)<\/a>
\nCubic limit II (1976-1977)<\/a>
\nCubic limit I (1973-1976)<\/a>
\nEarly algorithms (1969-1973)<\/a>
\nHard edge (1966-1969)<\/a>
\nEarly work (1960-1966)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_custom_heading text=”baseline” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”700″][vc_separator el_width=”100%”][vc_custom_heading text=”traces” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”700″][vc_separator el_width=”100%”][vc_custom_heading text=”projections and dimensions” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”700″][vc_separator el_width=”100%”][vc_custom_heading text=”parity” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”700″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Artificiata II (2012-2015)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]This series is named after Mohr\u2019s first visual artist book, Artificiata (1969),…<\/p>\n

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