{"id":14052,"date":"2020-11-19T17:00:51","date_gmt":"2020-11-19T16:00:51","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=14052"},"modified":"2020-12-28T20:25:58","modified_gmt":"2020-12-28T19:25:58","slug":"subsets","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/mohr-manfred\/subsets\/","title":{"rendered":"subsets"},"content":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” hover_effect=”opacity” images=”14053,14055,14056,14054″ img_size=”medium” css=”” css_animation=”fade-up”][\/vc_column][vc_column width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″ css_animation=”fade-up”][vc_custom_heading text=”subsets (2003-2005)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]\u2018Subsets\u2019 is a work phase based on the 11-d hyper-cube. The algorithm written by the artist selects a subset of cubes from a repertoire of 42240 cubes inherent to the 11-d hyper-cube and decides which sides shall be black or white. Clipped by a defined window, this structure rotates in front of a green background. Since the above mentioned subset is by definition incomplete, the green background occasionally becomes visible, as the structure is rotating in 11-dimensions. Mohr describes this system as \u201cvisual music,\u201d inspired by his passion for action painting and free jazz.[\/vc_column_text][vc_column_text]More works<\/strong><\/p>\n

algorithmic modulations (2019)<\/a>
\nTransit-Code (2017-2018)<\/a>
\nArtificiata II (2012-2015)<\/a>
\nparallelResonance (2009-2011)<\/a>
\nklangfarben (2006-2007)<\/a>
\nsubsets.motion (2003-2005)<\/a>
\nsubsets (2003-2005)
\nspace.color.motion (2002-2004)<\/a>
\nspace.color (1999-2003)<\/a>
\nHalf Planes (1995-1998)<\/a>
\nCounterpoint (1993-1995)<\/a>
\nLaserglyphs (1990-1993)<\/a>
\nLine cluster (1989-1990)<\/a>
\nDimensions II (1986-1989)<\/a>
\nDivisibility II + III (1984-1986)<\/a>
\nDivisibility I (1980-1984)<\/a>
\nDimensions I (1977-1979)<\/a>
\nCubic limit II (1976-1977)<\/a>
\nCubic limit I (1973-1976)<\/a>
\nEarly algorithms (1969-1973)<\/a>
\nHard edge (1966-1969)<\/a>
\nEarly work (1960-1966)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” hover_effect=”opacity” images=”14053,14055,14056,14054″ img_size=”medium” css=”” css_animation=”fade-up”][\/vc_column][vc_column width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″ css_animation=”fade-up”][vc_custom_heading text=”subsets (2003-2005)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]\u2018Subsets\u2019 is a work phase based on the 11-d hyper-cube. The algorithm written by the artist selects a subset of cubes from a repertoire of 42240 cubes inherent to the 11-d hyper-cube and decides which sides…<\/p>\n

Continue reading<\/span><\/a><\/p>\n","protected":false},"featured_media":0,"parent":12827,"menu_order":0,"template":"","format":"standard","categories":[],"class_list":["post-14052","artists_ui","type-artists_ui","status-publish","format-standard","hentry","entry","clearfix","entry-grid","entry-columns-default","entry-artists_ui-module-layout-standard","no-post-thumbnail","entry-artists_ui","entry-artists_ui-grid"],"_links":{"self":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui\/14052","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui"}],"about":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/types\/artists_ui"}],"up":[{"embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui\/12827"}],"wp:attachment":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/media?parent=14052"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/categories?post=14052"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}