{"id":14067,"date":"2020-11-19T18:46:28","date_gmt":"2020-11-19T17:46:28","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=14067"},"modified":"2026-09-05T15:24:00","modified_gmt":"2026-09-05T13:24:00","slug":"half-planes","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/mohr-manfred\/half-planes\/","title":{"rendered":"half planes"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Half Planes (1995-1998)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]This work phase is based on the 6-D hypercube. As indicated for the \u201cLaserglyphs\u201d (1991), this complex structure has 32 diagonals from which 23040 \u201cdiagonal-paths\u201d can be calculated combinatorially. A random selection of two \u201cdiagonal-paths\u201d from this alphabet of signs provides the building blocks for each work. In the grey paintings, the \u201cdiagonal-paths\u201d are represented by thick white lines. The vector pairs which complete the quadrilaterals are represented by thin black lines. The quadrilaterals are colored in grey to create the shape of the painting. In the drawings, the \u201cdiagonal-paths\u201d are represented by thick black lines and the vector pairs are represented by thin black lines. In the metal reliefs, the art-work is composed of 3 bent flat metal strips. The strip representing the contour is painted white, and the 2 strips representing the \u201cdiagonal-paths\u201d are painted grey and black respectively.
\n[\/vc_column_text][vc_column_text]More works<\/strong><\/p>\n

algorithmic modulations (2019)<\/a>
\nTransit-Code (2017-2018)<\/a>
\nArtificiata II (2012-2015)<\/a>
\nparallelResonance (2009-2011)<\/a>
\nklangfarben (2006-2007)<\/a>
\nsubsets.motion (2003-2005)<\/a>
\nsubsets (2003-2005)<\/a>
\nspace.color.motion (2002-2004)<\/a>
\nspace.color (1999-2003)<\/a>
\nHalf Planes (1995-1998)
\nCounterpoint (1993-1995)<\/a>
\nLaserglyphs (1990-1993)<\/a>
\nLine cluster (1989-1990)<\/a>
\nDimensions II (1986-1989)<\/a>
\nDivisibility II + III (1984-1986)<\/a>
\nDivisibility I (1980-1984)<\/a>
\nDimensions I (1977-1979)<\/a>
\nCubic limit II (1976-1977)<\/a>
\nCubic limit I (1973-1976)<\/a>
\nEarly algorithms (1969-1973)<\/a>
\nHard edge (1966-1969)<\/a>
\nEarly work (1960-1966)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Half Planes (1995-1998)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]This work phase is based on the 6-D hypercube. As indicated for the \u201cLaserglyphs\u201d (1991), this complex structure has 32 diagonals from which 23040 \u201cdiagonal-paths\u201d can be calculated combinatorially. A random selection of two \u201cdiagonal-paths\u201d from this alphabet of signs provides…<\/p>\n

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