{"id":14100,"date":"2020-11-19T19:26:53","date_gmt":"2020-11-19T18:26:53","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=14100"},"modified":"2026-09-05T14:43:15","modified_gmt":"2026-09-05T12:43:15","slug":"divisibility-i","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/mohr-manfred\/divisibility-i\/","title":{"rendered":"Divisibility I"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Divisibility I (1980-1984)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]<\/p>\n
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In \u201cDivisibility\u201d, the cube is used again as a fixed structure to generate signs. The cube is divided into four sections by a horizontal and a vertical cut. Four independent rotations of a cube are projected onto the corresponding quadrants created by the cut. In order to visually stabilize the structure, two diagonally opposed quadrants (top right and bottom left), contain the same rotation. In the first part of this work phase, the \u201cfour-cut\u201d is the basic structure with which the \u201cout-lines\u201d form shapes and the \u201cin-lines\u201d form signs.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_column_text]More works<\/strong><\/p>\n

algorithmic modulations (2019)<\/a>
\nTransit-Code (2017-2018)<\/a>
\nArtificiata II (2012-2015)<\/a>
\nparallelResonance (2009-2011)<\/a>
\nklangfarben (2006-2007)<\/a>
\nsubsets.motion (2003-2005)<\/a>
\nsubsets (2003-2005)<\/a>
\nspace.color.motion (2002-2004)<\/a>
\nspace.color (1999-2003)<\/a>
\nHalf Planes (1995-1998)<\/a>
\nCounterpoint (1993-1995)<\/a>
\nLaserglyphs (1990-1993)<\/a>
\nLine cluster (1989-1990)<\/a>
\nDimensions II (1986-1989)<\/a>
\nDivisibility II + III (1984-1986)<\/a>
\nDivisibility I (1980-1984)
\nDimensions I (1977-1979)<\/a>
\nCubic limit II (1976-1977)<\/a>
\nCubic limit I (1973-1976)<\/a>
\nEarly algorithms (1969-1973)<\/a>
\nHard edge (1966-1969)<\/a>
\nEarly work (1960-1966)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Divisibility I (1980-1984)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text] In \u201cDivisibility\u201d, the cube is used again as a fixed structure to generate signs. The cube is divided into four sections by a horizontal and a vertical cut. Four independent rotations of a cube are projected onto the corresponding quadrants…<\/p>\n

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