{"id":14133,"date":"2020-11-19T19:57:53","date_gmt":"2020-11-19T18:57:53","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=14133"},"modified":"2026-07-08T17:40:26","modified_gmt":"2026-07-08T15:40:26","slug":"hard-edge","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/mohr-manfred\/hard-edge\/","title":{"rendered":"Hard edge"},"content":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” images=”14134,14135,14136,14137,14138″ img_size=”medium” css_animation=”fade-up” css=”” hover_effect=”opacity”][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Hard edge (1966-1969)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]<\/p>\n

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This work phase (1966-69) introduces geometry and constructibility (but not yet the computer) into Mohr\u2019s work. In a subjective selection process, geometric elements influenced by electronic and other technical signs are created and distributed over the entire pictorial surface. They are mobile signs, that means, they are exchangeable signs. Since all signs (forms) are surrounded by a pictorial force, they create in their juxtaposition a network of abstract visual tension.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_column_text]More works<\/strong><\/p>\n

algorithmic modulations (2019)<\/a>
\nTransit-Code (2017-2018)<\/a>
\nArtificiata II (2012-2015)<\/a>
\nparallelResonance (2009-2011)<\/a>
\nklangfarben (2006-2007)<\/a>
\nsubsets.motion (2003-2005)<\/a>
\nsubsets (2003-2005)<\/a>
\nspace.color.motion (2002-2004)<\/a>
\nspace.color (1999-2003)<\/a>
\nHalf Planes (1995-1998)<\/a>
\nCounterpoint (1993-1995)<\/a>
\nLaserglyphs (1990-1993)<\/a>
\nLine cluster (1989-1990)<\/a>
\nDimensions II (1986-1989)<\/a>
\nDivisibility II + III (1984-1986)<\/a>
\nDivisibility I (1980-1984)<\/a>
\nDimensions I (1977-1979)<\/a>
\nCubic limit II (1976-1977)<\/a>
\nCubic limit I (1973-1976)<\/a>
\nEarly algorithms (1969-1973)<\/a>
\nHard edge (1966-1969)
\nEarly work (1960-1966)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” images=”14134,14135,14136,14137,14138″ img_size=”medium” css_animation=”fade-up” css=”” hover_effect=”opacity”][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Hard edge (1966-1969)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text] This work phase (1966-69) introduces geometry and constructibility (but not yet the computer) into Mohr\u2019s work. In a subjective selection process, geometric elements influenced by electronic and other technical signs are created and distributed…<\/p>\n

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