{"id":14139,"date":"2020-11-19T20:11:31","date_gmt":"2020-11-19T19:11:31","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=14139"},"modified":"2026-09-05T15:20:42","modified_gmt":"2026-09-05T13:20:42","slug":"early-work","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/mohr-manfred\/early-work\/","title":{"rendered":"Early work"},"content":{"rendered":"

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Mohr\u2019s early artistic work was influenced by atonal music, modern Jazz and abstract expressionism. The art of K.H. Sonderborg gave him a profound visual guidance and the understanding of Max Bense\u2019s philosophy a unique direction. As a consequence, geometry and the reduction of his visual vocabulary to black and white as binary decisions, took more and more importance in his work after 1963.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_column_text]More works<\/strong><\/p>\n

algorithmic modulations (2019)<\/a>
\nTransit-Code (2017-2018)<\/a>
\nArtificiata II (2012-2015)<\/a>
\nparallelResonance (2009-2011)<\/a>
\nklangfarben (2006-2007)<\/a>
\nsubsets.motion (2003-2005)<\/a>
\nsubsets (2003-2005)<\/a>
\nspace.color.motion (2002-2004)<\/a>
\nspace.color (1999-2003)<\/a>
\nHalf Planes (1995-1998)<\/a>
\nCounterpoint (1993-1995)<\/a>
\nLaserglyphs (1990-1993)<\/a>
\nLine cluster (1989-1990)<\/a>
\nDimensions II (1986-1989)<\/a>
\nDivisibility II + III (1984-1986)<\/a>
\nDivisibility I (1980-1984)<\/a>
\nDimensions I (1977-1979)<\/a>
\nCubic limit II (1976-1977)<\/a>
\nCubic limit I (1973-1976)<\/a>
\nEarly algorithms (1969-1973)<\/a>
\nHard edge (1966-1969)<\/a>
\nEarly work (1960-1966)[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Early work (1960-1966)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text] Mohr\u2019s early artistic work was influenced by atonal music, modern Jazz and abstract expressionism. The art of K.H. Sonderborg gave him a profound visual guidance and the understanding of Max Bense\u2019s philosophy a unique direction. As a consequence, geometry and…<\/p>\n

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