{"id":14223,"date":"2020-12-01T16:53:19","date_gmt":"2020-12-01T15:53:19","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=14223"},"modified":"2026-09-05T14:19:37","modified_gmt":"2026-09-05T12:19:37","slug":"hershman-vertighost","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/hershman-leeson-lynn\/hershman-vertighost\/","title":{"rendered":"Vertighost"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Vertighost (2017)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]<\/p>\n
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VertiGhost<\/em> is inspired by and reinterprets Alfred Hitchcock\u2019s film Vertigo (1958) in a multi-part installation about identity and authenticity. A film re-creates key scenes from the film and documents a painting by Amedeo Modigliani whose authenticity has been questioned, alongside interviews about the construction of realities in life and art. The project also consists of an installation and a live web component that incorporates live footage of viewers.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_column_text]More works<\/strong><\/p>\n

Shadow Stalker (2019-2021)<\/a>
\nVertighost (2017)
\nThe Infinity Engine (2014)<\/a>
\nArtificial Intelligence (1998-2004)<\/a>
\nNet works (1996-2012)<\/a>
\nFilms (1984-2017)<\/a>
\nPhotography (1984-2004)<\/a>
\nInteractivity (1984-1994)<\/a>
\nRoberta Breitmore (1973-1978)<\/a>
\nEarly work (1967-68)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Vertighost (2017)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text] VertiGhost is inspired by and reinterprets Alfred Hitchcock\u2019s film Vertigo (1958) in a multi-part installation about identity and authenticity. A film re-creates key scenes from the film and documents a painting by Amedeo Modigliani whose authenticity has been questioned, alongside interviews…<\/p>\n

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