{"id":14609,"date":"2021-03-04T22:02:52","date_gmt":"2021-03-04T21:02:52","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=14609"},"modified":"2026-07-04T13:39:33","modified_gmt":"2026-07-04T11:39:33","slug":"jodi","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/jodi\/","title":{"rendered":"JODI"},"content":{"rendered":"

[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”JODI” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14620″ img_size=”full” css=”” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Joan Heemskerk and Dirk Paesmans formed the art duo JODI in 1994. Pioneers of web-based art, they are well-known for their website jodi.org, which has become an artwork and a statement, and their artistic modifications of computer games such as Wolfenstein 3D, Quake, Jet Set Willy or Max Payne. They have also created performances, interactive installations and exhibitions.<\/p>\n

 <\/p>\n

Website of JODI:
\nwwwwwwwww.jodi.org<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”Artworks” tab_id=”1589891935-1-30″ el_class=”tab2″][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_gallery type=”image_grid” images=”14624,14613,14612,14626,14625,14620,14623,14622,14621,14616,14618,14619″ img_size=”medium” css=”” slides_per_view=”1″ hover_effect=”opacity” pause_on_hover=”false” slideshow_speed=”6000″ nav_arrows_tone=”dark” nav_dots_tone=”dark”][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_column_text][\/vc_column_text][\/vc_tab][vc_tab title=”Artists’ statement” tab_id=”1614320262916-3-4″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14625″ img_size=”full” css=”” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Artists’ statement<\/strong>
\nJODI (Joan Heemskerk and Dirk Paesmans)<\/p>\n

ISEA 97 catalogue<\/a><\/p>\n

 <\/p>\n

P. 10\/1 11\/1 12\/1 1\/1 2\/1 3\/1 4\/1 $B!C(110\/6 $B1C(111\/6 $B!C(112\/6 $131C(11\/6 $B1C(12\/6 $13!C $B\u201d-\u201c-(.1$B\u201d-\u201c-(1$B\u201d-\u201c-(.1$B\u201d-\u201c-(J $B\u201d-\u201c-(J $B\u201d-\u201d NUMOP$S(1?_):)S(WNV<BTS7&8+DJ<TAJM<T[FISOAG-TP8B\u20199<>W1H?A>AM(71;ULFFNW9\u2033JF\u201d5EC@T\/A7C*: FU:_B4N,3>1;152SA0.1.1\u20339M)QCDTCCHGAW:EG3W=05,2\u203319FW851@GOUZ2:K<\u2018ARN42[>6Z<>9<$ .1&\u2019;H\/3$C].XRMP FU:_B4N,3>1;152SA0.1.1\u20339M)QCDTCCHGAW:EG3W=05,2\u203319FW851@GOUZ2:K<\u2018ARH42[>6Z<>9<$ J&\u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\n\\\\1====[1][0][010[11111111111111111 01[1[10[0[M[1[10[1[111[D1\\111\\\\1\\1\\1\\1\\\\I\\\\1\\\\1\\\\\\\\\\1\\\\\\1\\111111\\\\ \\\\\\\\\\III\\\\ 1111111111(0MRPHIOMM[1[1[1111111111111111111111111111111} (1[][10 HU[}0{10 [MIN 10\/1 11\/1 12\/1 1\/1 2\/1 3\/1 4\/1 $13!C(.110\/6 $B1C(111\/6 $B!C(J12\/6 (11\/6 $B!C(12\/6 $B!C $B\u201d-\u201c-(J $B\u201d-\u201c-(1$B\u201d-\u201c-(1$B\u201d-\u201c-(.1$B\u201d-\u201c-(.1 (J1\/6 $B1C(.12\/6 $B!C $B\u201d-\u201c-(J$B\u201d-\u201c-(.1$B\u201d-\u201c-(J $B\u201d-\u201c-(J$B\u201d-\u201c-(1(.11\/6 $B1C(12\/6 $131C $B\u201d-\u201c-(1$B\u201d-\u201c-(.1 $B\u201d-\u201c-(J$B\u201d-\u201c-(.1 $B\u201d-\u201c-(.1(.11\/6 $131C(.12\/6 $B!C $B\u201d-\u201c-(J $B\u201d-\u201c-(1 $B\u201d- \u201c-(1 $13\u201d-\u201c-(1 $B\u201d-\u201c-(J 01\/6 $13!C(.12\/6 $B!C $B\u201d-\u201c-(J$B\u201d-\u201c-0 $B\u201d-\u201c-(J$B\u201d-\u201c-(.1$B\u201d-\u201c-(.1(.11\/6 $B1C(J2\/6 $B\u201d-\u201c-(.1$B\u201d-\u201c-(1 $B\u201d-\u201c-(J $B\u201d-\u201c-(J $B\u201d-\u201c-(J (11\/6 $B!C(12\/6
\n$B!C $B\u201d-\u201c-(1$B\u201d-\u201c-(J$B\u201d-\u201c-(J $B\u201d-\u201c-(J $B\u201d-\u201c-(1 (.11 \/6 $B1C(12\/6 $B!C 7C*:FU:_B4N,3>1 ;152S$B!!!!6d9T81:B?6B)(OMMj=q$r $811111111111111!1!1!11111!11111!1!1!1(1ifillifillmifillifill11#1111H11!1!111111111!1!1!11111!1 $B11111111111111111111!1!1111111!1!1!1(.1 $B!!!!$*5RMM$NMB6b8):B$+$i$NOzMn$73+;0$0#(.1#.FFNW9\u2033JF\u201d5EC@21GFN@\u2019B\/A7C*:FU:_B4\u201d\u2014-\u201c\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u201c\u201d-\u201c\u201d\u201d-\u201c\u201d\u2014\u2014\u2014-\u201c\u2014\u201c
\n111111 If II 111111 II 1141 II II 211[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”Biography” tab_id=”1589891935-2-34″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14624″ img_size=”full” css=”” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Joan Heemskerk and Dirk Paesmans
\nKaatsheuvel (Netherlands), 1968 \/ Brussels (Belgium), 1965<\/p>\n

 <\/p>\n

Joan Heemskerk studied photography at the St. Joost Academy in Breda; Dirk Paesmans studied with Nam June Paik at the Kunstakademie in Dusseldorf. They met at the Jan van Eyck Academy in Maastricht, where they studied photography and video. In 1993, they began an eighteen-month artist residency at the electronic arts laboratory CADRE at San Jose State University in California. At CADRE, they learned about digital media and the internet. In 1994, they formed the artist\u2019s duo JODI and the following year launched the website jodi.org, which has become their most well-known artistic project. A cryptic combination of text and images that at times only makes sense when the html code is inspected, the site established a particular visual aesthetics using basic elements and became a statement of the artist\u2019s critical attitude towards technology. JODI subverted the logic and functionality of html pages at a time when websites were intended to convey simple and clear information, and in doing so confronted users with the underlying code and complexity of the friendly interface that had become part of their daily environment. Among the first web-based artworks created in the framework of wwwwwwww.jodi.org<\/a> are Automatic Rain<\/em><\/a> (1995), which was inspired by the artists\u2019 experience in San Jose, and ASDFG<\/em><\/a> (1999), a glitchy animation created by redirecting the browser between two web pages. The website was featured in the net art section of documenta X in Kassel (1997), where it attracted attention to the JODI\u2019s work.<\/p>\n

In 1999, they began creating artistic modifications of popular computer games with SOD<\/em><\/a> (1999), which transforms the visual elements of the title Wolfenstein 3D (id Software, 1992) into an almost abstract environment, maintaining the original gameplay. They also created a version of Olia Lialina\u2019s celebrated net art piece My Boyfriend Came Back From The War<\/em> in 2001, as well as modifications of the computer games Quake (Untitled Game<\/em><\/a>, 1999-2002), and Jet Set Willy (Jet Set Willy Variations \u00a9 1984<\/em><\/a>, 2002), and Max Payne (Max Payne Cheats Only<\/em><\/a>, 2004). In 2002, they began their \u201cscreen grab\u201d period with the video installation My%Desktop<\/em><\/a> (2002-2007), which consists of recording the computer monitor while working, playing video games, or coding. They have also developed software art pieces, such as OSS\/****<\/em><\/a> (1998), which creates visual compositions based on the interactions with the computer\u2019s desktop; and\u00a0%WRONG Browser<\/a><\/em> (2001-2011), which comprises eleven alternative web browsers that transform any website into a JODI interface.<\/p>\n

As the web evolved from static html pages to dynamic, customized services, JODI continued exploring the creative possibilities of subverting online platforms such as Google Maps, which becomes a canvas for generative visual compositions in GeoGoo<\/em><\/a> (2008-2021), or YouTube, with the series of video performances Thumbing<\/em><\/a> (2010). They also created software art for iOS with ZYX-app<\/em><\/a> (2012), an app that forces the user to become a performer. In their latest artworks, JODI explore the unsettling situation of being subject to surveillance and overcome by machines in the installations \\\/\\\/iFi<\/em><\/a> (2017-2019) and OXO<\/em><\/a> (2018).<\/p>\n

JODI has exhibited their work internationally, in numerous contemporary art venues such as Documenta X, Kassel; Stedelijk Museum, Amsterdam; ZKM, Center for Art and Media, Karlsruhe; Bonner Kunstverein and Artothek, Bonn; InterCommunication Center, Tokyo; Centre Pompidou, Paris; Center for Contemporary Arts, Glasgow; Guggenheim Museum, New York; Eyebeam, New York; and Museum of the Moving Image, New York, among others. JODI has received numerous awards and distinctions, among them a 1999 Webby Award in the category Net Art, and the inaugural Prix Net Art Award, awarded by Rhizome in 2014. Their work is part of the permanent collections of the MoMA (New York), SFMoMA (San Francisco), and Stedelijk Museum (Amsterdam), among others.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”References” tab_id=”1614889842128-5-3″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14623″ img_size=”full” css=”” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Full archive of JODI
\nhttps:\/\/joid.org\/archive\/<\/a><\/p>\n

 <\/p>\n

Artworks<\/strong><\/p>\n

OXO (2018) http:\/\/oxoxxxooo.com<\/a>
\n\\\/\\\/iFi (2017-2019) http:\/\/wifi4garden.com<\/a>
\nIDN (2015-2016) http:\/\/idn.jodi.org\/<\/a>
\nZYX-app (2012) https:\/\/zyx-app.com\/<\/a>
\nGeoGoo (2008-2021) http:\/\/geogoo.net\/<\/a>
\nThumbing (2010) https:\/\/thumbing.org\/<\/a>
\nMax Payne Cheats Only (2004) http:\/\/maxpaynecheatsonly.jodi.org\/<\/a>
\nMy%Desktop (2002-2007) https:\/\/www.moma.org\/collection\/works\/193145<\/a>
\nJet Set Willy Variations \u00a91984 (2002) https:\/\/jetsetwilly.jodi.org<\/a>
\n%WRONG Browser (2001-2011) http:\/\/wrongbrowser.com\/<\/a>
\nUntitled Game (1999-2002) https:\/\/untitled-game.org\/<\/a>
\nSOD (1999) http:\/\/sod.jodi.org\/<\/a>
\nADFSG (1999) http:\/\/asdfg.jodi.org<\/a>
\nOSS\/**** (1998) http:\/\/oss.jodi.org\/<\/a><\/p>\n

 <\/p>\n

References<\/strong><\/p>\n

Games in the Gallery<\/a> (2018, February 27). Harvard Museums. [ENG]<\/p>\n

JODI. Art Basel 2021 Catalogue<\/a>. (2021). Amsterdam: Upstream Gallery. [ENG]<\/p>\n

JODI at Upstream Gallery<\/a>. [ENG]<\/p>\n

Chiaverina, John (2018, July 17). “‘You Can Still Make Websites Nowadays’: A Talk with the Pioneering Internet Art Collective JODI”<\/a>. ARTnews.<\/em><\/p>\n

Connor, Michael. (2013). Required Reading: A Closer Look at JODI’s ‘Untitled Game’<\/a>. Rhizome Journal<\/em>.<\/p>\n

Galloway, Alexander. (2016) Jodi’s Infrastructure<\/a>. E-flux Journal<\/em> #74.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”Publications” tab_id=”1614336421840-4-9″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14621″ img_size=”full” css=”” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Publications<\/strong><\/p>\n

2018<\/strong><\/span>
\nArt in the Age of the Internet, 1989 to Today, Eva Respini, ISBN 9780300228250 The Metainterface, Christian Ulrik Andersen and S\u00f8ren Bro Pold, ISBN 978-0262037945<\/p>\n

2017<\/strong><\/span>
\nNew Gameplay, The Nam June Paik Art Center, ISBN 978-89-97128-33-4
\nEscaping the Digital Unease, Raffael D\u00f6rig, Domenico Quaranta, ISBN 978-3-85616-844-5 2016
\nIDN, by JODI, galerie West Electronic Superhighway, Edited by Omar Kholeif, ISBN 978-0-85488-246-5 2015
\nCome as You Are: Art of the 1990s, by Alexandra Schwartz
\nWorks of Game. On the Aesthetics of Games and Art, by John Sharp 2014
\nSandWitz interviewt JODI, showroom Mama, Rotterdam
\nArt and the Internet, by Phoebe Stubbs, ISBN 978-1907317989<\/p>\n

2013<\/strong><\/span>
\nBluecloud : Live Transmission, By Dirk Paesmans\/ JODI, ISBN 9788890307850
\nWitnessing You, on trust and truth in a networked world, Caroline Nevejan 2012
\nJunk Jet n\u00b06 here and where!, ISBN-10: 3981474821
\nJunk Jet n\u00b05 net-heart!, ISBN-10: 3981474813<\/p>\n

2011<\/strong><\/span>
\nNettitudes: Let’s Talk Net Art (Studies in Network Cultures), Josephine Bosma
\nCollect the WWWorld, Domenico Quaranta, ISBN-10: 1447839498 2010
\nThe WORLD OF DIGITAL ART, Wolf Lieser, ISBN:0841671648
\nART POCKET DIGITAL ART, Wolf Lieser ,ISBN: 978-3833153372
\nForm+Code, Casey Reas, ISBN 9781568989372<\/p>\n

2009<\/strong><\/span>
\nThis is a Magazine – Pink Laser Beam ,Milan, ISSN 1721-4904
\nGamescenes: Art in the Age of Videogames, by Matteo Bittanti, ISBN 8860100100<\/p>\n

2008<\/strong><\/span>
\nGeoGoo, Imal Springerin, issue4\/08, \u2039bersetzungsarbeit: aWebcra.sh\/2800 \u0301 | Franz Thalmair Junk Jet n\u221e2 ,Stuttgart, ISBN 18659357
\nDigital Art, Christiane Paul, Thames and Hudson, ISBN 9780500203989
\nHoly Fire, Art of the Digital Age, ISBN 978-1470938741<\/p>\n

2007<\/strong><\/span>
\nVideogames and Art by Andy Clarke, Grethe Mitchell, ISBN: 978-1841501420
\nAt the Edge of Art,by Joline Blais, Jon Ippolito, Thames and Hudson, ISBN 0500238227<\/p>\n

2006<\/strong><\/span>
\nNEW MEDIA ART (Taschen’s Basic Art Series) ISBN 3822830410
\nElectronic Arts Intermix (EAI)
\ndistribution2005 N51\u221e52’02” E4\u221e26’18” AutoRoute 1:1 (ed.)Theo Tegelaers
\nSpam%Spam Les Cahiers del \u0301espace, ISBN 2-915151-03-22004
\nComputing 101B,by Michael Connor (ed.) FACT , ISBN 0954693116<\/p>\n

2005<\/strong><\/span>
\nThe Sharpest Point, by Chris Gehman and Steve Reinke, ISBN: 0920397328 2004
\nProtocol(Leonardo Books), by Alexander R. Galloway
\nINTERNET ART. World of Art Series, by Rachel Greene, ISBN: 0500203768 2002
\nInstall.exe by JODI Christoph Merian Verlag ,ISBN 3-85616-184-8
\nMarioso\ufb01a (about gameculture) by Erkki Huhtamo Helsinki<\/p>\n

2001<\/strong><\/span>
\nInteraction: Artistic practice in the Network, by Amy Scholder, ISBN: 1891024248
\nDe-game by AC Pinto Meiac Madrid
\nnet.art 2.0 by Tilman Baumgartel Verlag fur moderne kunst Nurnberg, ISBN: 3933096669 2000
\nNet.Condition Peter Weibel, ISBN: 978-0262731386
\nDU – Zeitschrift f\u00fcr Kultur: Du, Nr.11, Net.Art. Rebellen im Internet Boek voor de elektronische kunst Arjen Mulder V2 Roterdam<\/p>\n

1999<\/strong><\/span>
\nnet.art by Tilman Baumgartel Verlag fur moderne kunst Nurnberg, ISBN 9783933096173
\nGASBOOK 06 Cdrom A&P Publishing Tokyo
\nID magazine “Interactive Design issue”Browser by Liz Faber King Publishing<\/p>\n

1998<\/strong><\/span>
\nDocumentaX shortguide Cantz verlag
\nVon Holzschnit bis Internet ,by Rene Hirner, Cantz verlag, ISBN 978-3-89322-352-7
\nArt in America April 1998
\nGASBOOK 05 Cdrom A&P Publishing Tokyo\u2028 OSS\/\u2022\u2022\u2022\u2022, CD-Rom , Mediamatic Foundation (pub), Vol. 9#2\/3, Context Issue, Amsterdam
\nCREAM Phaidon books London, ISBN: 0714838012[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][\/vc_tabs][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”JODI” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14620″ img_size=”full” css=”” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Joan Heemskerk and Dirk Paesmans formed the art duo JODI in 1994. Pioneers of web-based art, they are well-known for their website jodi.org, which has become an artwork and a statement, and their artistic modifications of computer games such as Wolfenstein 3D,…<\/p>\n

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