{"id":15148,"date":"2022-03-27T21:34:46","date_gmt":"2022-03-27T19:34:46","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=15148"},"modified":"2026-09-05T15:35:48","modified_gmt":"2026-09-05T13:35:48","slug":"relief-utrecht","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/laric-oliver\/relief-utrecht\/","title":{"rendered":"Relief (Utrecht)"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Relief (Utrecht) (2010)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]\u201cSome historic images make sense, as they echo current concerns and feel urgent and contemporary. The relief from Utrecht stands out\u2026 it\u2019s probably the most impressive leftover from Reformation iconoclasm. It is in perfect destroyed condition; the damage is so well preserved. It has become an attraction because of its modification. That exemplifies the contradiction emblematic of iconoclasm; destroying an image always creates an image.\u201d (Oliver Laric interviewed by Susanna Davies-Crook)[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Relief (Utrecht) (2010)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]\u201cSome historic images make sense, as they echo current concerns and feel urgent and contemporary. The relief from Utrecht stands out\u2026 it\u2019s probably the most impressive leftover from Reformation iconoclasm. It is in perfect destroyed condition; the damage is so well…<\/p>\n

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