{"id":15149,"date":"2022-03-27T21:36:58","date_gmt":"2022-03-27T19:36:58","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=15149"},"modified":"2026-09-05T15:33:36","modified_gmt":"2026-09-05T13:33:36","slug":"icon-utrecht","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/laric-oliver\/icon-utrecht\/","title":{"rendered":"Icon (Utrecht)"},"content":{"rendered":"

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\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Icon (Utrecht) (2009)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]In collaboration with 3D modellers, Laric has translated a reformation damaged icon from St Martin’s Cathedral, Utrecht, into a silicone mould from which a number of casts have been made. Each is identical in size and form, distinction coming only from their varied pigmentation. For Laric, these sculptures, their multiplicity, reflects a viable productive principle in iconoclasm (Paul Pieroni).[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][\/vc_column][vc_column css_animation=”fade-up” width=”1\/3″ shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”Icon (Utrecht) (2009)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]In collaboration with 3D modellers, Laric has translated a reformation damaged icon from St Martin’s Cathedral, Utrecht, into a silicone mould from which a number of casts have been made. Each is identical in size and form, distinction coming only from…<\/p>\n

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