{"id":15755,"date":"2026-04-04T14:34:19","date_gmt":"2026-04-04T12:34:19","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=15755"},"modified":"2026-04-10T17:36:23","modified_gmt":"2026-04-10T15:36:23","slug":"rotations-and-projections","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/herbert-franke\/rotations-and-projections\/","title":{"rendered":"Rotations and Projections"},"content":{"rendered":"

[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” hover_effect=”opacity” css_animation_each=”true” images=”15754″ img_size=”medium” css=””][\/vc_column][vc_column width=”1\/3″][vc_custom_heading text=”Rotations\/Projections (1974)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]In addition to the 16 mm films Rotations and Projections<\/em>, which were created using an early 3D programme for the real-time representation of spatial movements, Franke also produced a small number of static images, which he later referred to as Cluster<\/em>.<\/p>\n

Like the films, these were generated using an interactive graphical display from the Siemens research laboratory in Munich and a digital computing unit. The system allowed for interventions in the process, for example regarding parameters such as the number of images, angle of view or speed; movements could also be paused at any time and captured as a single frame.
\nUnlike the film sequences calculated in real time, the Clusters<\/em> were not subject to any time constraints. This enabled the creation of significantly more complex, densely structured image forms.<\/p>\n

 <\/p>\n

More works
\n<\/strong>The Colour Grid Series (1973)<\/a>
\nThe Biennale Serigraphs (1954-1969)<\/a>
\nDance of the Electrons (1958\/1959-2018)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_gallery type=”image_grid” hover_effect=”opacity” css_animation_each=”true” images=”15754″ img_size=”medium” css=””][\/vc_column][vc_column width=”1\/3″][vc_custom_heading text=”Rotations\/Projections (1974)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text]In addition to the 16 mm films Rotations and Projections, which were created using an early 3D programme for the real-time representation of spatial movements, Franke also produced a small number of static images, which he…<\/p>\n

Continue reading<\/span><\/a><\/p>\n","protected":false},"featured_media":0,"parent":13084,"menu_order":0,"template":"","format":"standard","categories":[],"class_list":["post-15755","artists_ui","type-artists_ui","status-publish","format-standard","hentry","entry","clearfix","entry-grid","entry-columns-default","entry-artists_ui-module-layout-standard","no-post-thumbnail","entry-artists_ui","entry-artists_ui-grid"],"_links":{"self":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui\/15755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui"}],"about":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/types\/artists_ui"}],"up":[{"embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/artists_ui\/13084"}],"wp:attachment":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/media?parent=15755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/categories?post=15755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}