{"id":15755,"date":"2026-04-04T14:34:19","date_gmt":"2026-04-04T12:34:19","guid":{"rendered":"https:\/\/dam.org\/museum\/?post_type=artists_ui&p=15755"},"modified":"2026-08-26T15:30:30","modified_gmt":"2026-08-26T13:30:30","slug":"rotations-and-projections","status":"publish","type":"artists_ui","link":"https:\/\/dam.org\/museum\/artists_ui\/artists\/herbert-franke\/rotations-and-projections\/","title":{"rendered":"Rotations and Projections"},"content":{"rendered":"

[vc_row shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″]

\"\"<\/a><\/figure><\/div>[\/vc_column][vc_column width=”1\/3″][vc_custom_heading text=”Rotations\/Projections (1974)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text css=””]In addition to the 16 mm films Rotations and Projections<\/em>, which were created using an early 3D programme for the real-time representation of spatial movements, Franke also produced a small number of static images, which he later referred to as Cluster<\/em>.<\/p>\n

Like the films, these were generated using an interactive graphical display from the Siemens research laboratory in Munich and a digital computing unit. The system allowed for interventions in the process, for example regarding parameters such as the number of images, angle of view or speed; movements could also be paused at any time and captured as a single frame.
\nUnlike the film sequences calculated in real time, the Clusters<\/em> were not subject to any time constraints. This enabled the creation of significantly more complex, densely structured image forms.<\/p>\n

More works
\n<\/strong>The Colour Grid Series (1973)<\/a>
\nThe Biennale Serigraphs (1954-1969)<\/a>
\nDance of the Electrons (1958\/1959-2018)<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][\/vc_column][vc_column width=”1\/3″][vc_custom_heading text=”Rotations\/Projections (1974)” use_theme_fonts=”yes” css=”” font_size=”16″ text_align=”left” font_weight=”600″][vc_column_text css=””]In addition to the 16 mm films Rotations and Projections, which were created using an early 3D programme for the real-time representation of spatial movements, Franke also produced a small number of static images, which he later referred to as Cluster. Like…<\/p>\n

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