{"id":11830,"date":"2020-05-30T16:30:10","date_gmt":"2020-05-30T14:30:10","guid":{"rendered":"http:\/\/dam.org\/wp\/?post_type=essays_ui&p=11830"},"modified":"2020-09-14T11:30:01","modified_gmt":"2020-09-14T09:30:01","slug":"essays","status":"publish","type":"essays_ui","link":"https:\/\/dam.org\/museum\/essays_ui\/essays\/","title":{"rendered":"Essays"},"content":{"rendered":"

[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”dam-artists”][vc_column][vc_column_text]

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\n \"Frieder\n
\n <\/a>\n
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\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Frieder Nake Reflects on 60 years of Algorithmic Art<\/a>\n <\/div>\n
November 11th, 2025<\/div>\n <\/div>\n<\/div>\n <\/div>\n
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\n \"Interview:\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Interview: Christiane Paul on Defining AI Art<\/a>\n <\/div>\n
June 23rd, 2025<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
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\n \"Frieder\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Frieder Nake Discusses Algorithmic Origins and True Computer Images<\/a>\n <\/div>\n
April 20th, 2025<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"AI\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n AI discussion panel “What does AI do to art?”<\/a>\n <\/div>\n
June 29th 2023<\/div>\n <\/div>\n<\/div>\n <\/div>\n
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\n
\n \"Harold\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Harold Cohen and AARON: Collaborations in the Last Six Years (2010\u20132016) of a Creative Life<\/a>\n <\/div>\n
Louise Sundararajan, 2021<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Hearsay\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Hearsay and early telecommunications art<\/a>\n <\/div>\n
Norman White, 2021<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Three\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Three drawings and one story<\/a>\n <\/div>\n
Frieder Nake, 2020<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Presentism\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Presentism and Post-Internet<\/a>\n <\/div>\n
Domenico Quaranta, 2020<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"HAROLD\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n HAROLD COHEN UNIQUE<\/a>\n <\/div>\n
Opening of the exhibition 25 January 2019<\/div>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n\n
\n <\/a>\n<\/div> <\/div>\n<\/div>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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