{"id":11483,"date":"2020-05-19T13:08:02","date_gmt":"2020-05-19T11:08:02","guid":{"rendered":"http:\/\/dam.org\/wp\/?page_id=11483"},"modified":"2020-08-21T20:54:27","modified_gmt":"2020-08-21T18:54:27","slug":"artists","status":"publish","type":"page","link":"https:\/\/dam.org\/museum\/artists\/","title":{"rendered":"Artists"},"content":{"rendered":"

[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”dam-artists”][vc_column shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”The Pioneering Years” font_size=”22″ font_weight=”700″ link=”url:http%3A%2F%2Fdam.org%2Fwp%2F%3Fpage_id%3D11492|title:Phase%20One||” css=”.vc_custom_1598036066060{padding-top: 20px !important;}”][vc_column_text]

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\n <\/div>\n
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\n
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\n \"Manuel\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Manuel Barbadillo<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Manuel Barbadillo” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13979″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Barbadillo was the first Spanish artist who used a computer in his work. In 1968, he took part in the seminar on automatic generation of visual forms at the Centro de C\u00e1lculo de la Universidad de Madrid (CCUM), a pioneering computer lab....

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\n \"Peter\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Peter Beyls<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Peter Beyls” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13882″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]An artist and computer scientist, Peter Beyls is a pioneer in the use of cellular automata in the field of computer music. His work is focused on generative systems, with which he produces algorithmic drawings, interactive music systems, and audiovisual installations.  ...

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\n \"Paul\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Paul Brown<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Paul Brown” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”12598″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Paul Brown was inspired to work with computers after visiting the exhibition Cybernetic Serendipity in 1968 and specialized in generative art in the late 1970s. He has participated in major shows and since 2015 has continued developing his artistic practice in collaboration...

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\n \"Harold\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Harold Cohen<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Harold Cohen” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”12877″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Harold Cohen was a pioneer of computer-generated and Artificial Intelligence art. A successful artist, he started working with computers in 1968, upon his residency as a visiting professor in the Art Department at the University of California, San...

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\n \"Charles\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Charles Csuri<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Charles Csuri” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13305″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]The father of digital art and computer animation, Charles Csuri began experimenting in computer animation in 1964 using the FORTRAN programming language. With a background in painting, he has devoted his career to exploring digital art and has directed groundbreaking research in...

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\n \"David\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n David Em<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”David Em” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13368″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]David Em is an electronic artist whose digital images predate personal computers. He created his first digital images in 1975 at Xerox\u2019s PARC and later joined NASA\u2019s JPL Graphics Lab, where he worked for twelve years. He continues to create digital images...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

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\n \"Herbert\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Herbert W. Franke<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Herbert W. Franke” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner content_placement=”default” width=”1\/4″][vc_single_image image=”13594″ img_size=”full” full_width=”1″ hover_effect=”opacity” opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Herbert W. Franke was a scientist, writer and artist who made major contributions to computer graphics and early digital art, both as an artist, theorist, and curator. In 1971 he wrote the first comprehensive history of computer art, Computergraphik-Computerkunst....

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\n \"Hiroshi\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Hiroshi Kawano<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Hiroshi Kawano” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13542″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Philosopher Hiroshi Kawano is a pioneer of computer-generated art who created his first algorithmic images in 1964 and wrote extensively about the application of computers to visual art and music. He devoted his life to researching computer-aided aesthetics and teaching at several...

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\n
\n \"Ken\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Ken Knowlton<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Ken Knowlton” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13320″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Ken Knowlton was a pioneer of computer animation. A computer scientist and engineer, he worked at Bell Labs from 1963 to 1982, where he developed the graphics programming languages BEFLIX, EXPLOR, ATOMS, and SPHERES. He collaborated with artists Stan Vanderbeek and Lillian...

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\n \"Myron\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Myron Krueger<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Myron Krueger” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14432″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Myron Krueger is considered a pioneer of interactive art and virtual reality. His interactive installation Videoplace, developed between 1974 and the late 1990s, introduced a groundbreaking form of human-computer interaction that has been deeply influential in the evolution of interactive art. Krueger...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

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\n
\n \"Manfred\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Manfred Mohr<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Manfred Mohr” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”11413″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]A pioneer of digital art, Manfred Mohr programmed his first computer drawings in 1969, influenced by Max Bense\u2019s information aesthetics and encouraged by the computer music composer Pierre Barbaud. His successful artistic career spans over fifty years, with...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

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\n
\n \"Vera\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Vera Molnar<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Vera Molnar” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”12157″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Vera Molnar was a pioneer of algorithmic art, whose work drew from constructivism and conceptual art, as well as cubism and other avant-garde movements, while developing her own form of geometric abstraction. She started developing combinatorial images in...

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\n
\n \"Frieder\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Frieder Nake<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Frieder Nake” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”12987″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Frieder Nake is one of the three pioneering artists who showed their work in the first exhibitions of computer art in 1965. In 1971 he decided not to produce any more computer art and focused on his teaching...

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\n
\n \"Georg\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Georg Nees<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Georg Nees” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14319″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Georg Nees is one of the three pioneering artists who showed their work in the first exhibitions of computer art in 1965. A mathematician working at Siemens, he created his artworks in one of the first flatbed drawing machines and wrote the...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

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\n
\n \"A.\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n A. Michael Noll<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”A. Michael Noll” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13304″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]A. Michael Noll is one of the earliest pioneers of digital art. He created his first computer-generated artworks in 1962 while working at Bell Labs, and took part in one of the first exhibitions of digital art, at the Howard Wise...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

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\n
\n \"Lillian\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Lillian F. Schwartz<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Lillian F. Schwartz” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13437″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Lillian F. Schwartz is a pioneer of computer-generated art. With a background in Fine Arts, she worked at Bell Labs between 1968 and 2001, contributing to groundbreaking research on computer graphics, video and 3D animation.   Website of Lillian F. Schwartz:...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

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\n
\n \"Norman\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Norman White<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Norman White” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13895″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Norman White is a pioneer in electronic and robotic art. He created his first electronic work in 1969 at the exhibition Some More Beginnings, organised by E.A.T. at the Brooklyn Museum of Art. He has developed outstanding work...

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\n
\n \"Edward\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Edward Zajec<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Edward Zajec” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13316″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Edward Zajec was a pioneer of computer-generated graphics. One of the few Italian artists in his generation to use computers in his artistic research, he started experimenting with computer graphics in 1968. In 1980, he established the computer graphics lab at Syracuse...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”dam-artists”][vc_column][vc_custom_heading text=”The Personal Computer” font_size=”22″ font_weight=”700″ link=”url:http%3A%2F%2Fdam.org%2Fwp%2F%3Fpage_id%3D11498|title:Phase%20Two||”][vc_column_text]

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\n <\/div>\n
\n
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\n \"Yoshiyuki\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Yoshiyuki Abe<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Yoshiyuki Abe” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13371″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Yoshiyuki Abe was an early practitioner of algorithmic art who created his first pieces using custom graphics software in the early 1990s. His work is characterized by the use of stochastic processes that allow for \u201cartistic serendipity.\u201d He is a figure of...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

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\n
\n \"Laurence\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Laurence Gartel<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Laurence Gartel” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13552″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Laurence Gartel is among a generation of artists who first used personal computers and commercial image editing software to create artworks.   Website of Laurence Gartel: www.gartelmuseum.com[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”Artworks” tab_id=”1589891935-1-30″ el_class=”tab2″][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_gallery type=”carousel” img_size=”full” slides_per_view=”1″ pause_on_hover=”false” slideshow_speed=”6000″ nav_arrows=”false” nav_dots_tone=”dark” images=”13524,13523,13522,13552″][\/vc_column_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][\/vc_row_inner][vc_column_text][\/vc_column_text][\/vc_tab][vc_tab title=”Biography”...

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\n \"Jean-Pierre\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
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\n Jean-Pierre H\u00e9bert<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Jean-Pierre H\u00e9bert” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13268″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Jean-Pierre H\u00e9bert was an early practitioner of algorithmic art who created his first drawings in 1977 and expanded his practice from plotter drawings to ephemeral, computer-driven installations with sand, water, and wind. In 1995, he co-founded with Roman...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

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\n
\n \"Lynn\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Lynn Hershman Leeson<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Lynn Hershman Leeson” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14204″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]An artist and filmmaker, Lynn Hershman Leeson has made pioneering contributions to photography, film, video, performance, artificial intelligence, bio art, interactive art and net-based art. Her work is focused on key issues of our society, such as identity, surveillance, and the...

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\n
\n \"Yoichiro\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Yoichiro Kawaguchi<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Yoichiro Kawaguchi” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13373″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Yoichiro Kawaguchi is the first artist to build three-dimensional computer-generated images based exclusively on algorithms. His \u201cgrowth model\u201d, a self-organising algorithm that allows to create a 3D simulation of the growing of branches or cell divisions in natural organisms, gave him international...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"William\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n William Latham<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”William Latham” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13757″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]William Latham is the pioneering creator of Organic Art, 3D-rendered digital forms generated by algorithms inspired in natural processes and organic systems. He developed the Mutator software in collaboration with Stephen Todd, which has received wide recognition and influenced the work of...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"Roman\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Roman Verostko<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Roman Verostko” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13473″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Roman Verostko was an artist who created computer-generated artworks using his own algorithms. He started writing programs for algorithmic art in the late 1970s and early 1980s and developed a distinct visual style by using oriental brushes in...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"Mark\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Mark Wilson<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Mark Wilson” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13996″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Mark Wilson is an artist, author and programmer who created his first computer-generated artworks in the early 1980s and has been part of a group of artists who started using computer software to create art in the early...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”dam-artists”][vc_column][vc_custom_heading text=”The Internet Age” font_size=”22″ font_weight=”700″ link=”url:http%3A%2F%2Fdam.org%2Fwp%2F%3Fpage_id%3D11500|title:Phase%20Three||”][vc_column_text]

\n
\n
\n <\/div>\n
\n
\n
\n
\n \"Vuk\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Vuk \u0106osi\u0107<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Vuk \u0106osi\u0107” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13887″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]A pioneer of net art, Vuk \u0106osi\u0107 is a leading figure among the artists who first explored the creative possibilities of the World Wide Web in the mid-1990s. He is the co-founder of the influential mailing lists nettime, Syndicate, and 7-11, as...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"JODI\"\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n JODI<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”JODI” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14620″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Joan Heemskerk and Dirk Paesmans formed the art duo JODI in 1994. Pioneers of web-based art, they are well-known for their website jodi.org, which has become an artwork and a statement, and their artistic modifications of computer games such as Wolfenstein 3D, Quake,...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"Rafael\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Rafael Lozano-Hemmer<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Rafael Lozano-Hemmer” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14472″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]One of the most successful and prolific artists working with digital technologies, Rafael Lozano-Hemmer has gained widespread recognition in the international contemporary art scene. He is known for his large scale interactive installations in public spaces, as well...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"Gerhard\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Gerhard Mantz<\/a>\n <\/div>\n
[vc_row][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Gerhard Mantz” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13527″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Gerhard Mantz received education as a painter and adopted digital media in the 1990s, being an early practitioner of software and net art. His work was characterized by a detailed elaboration of 3D-rendered digital images, which he produced both as prints and...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"Casey\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Casey Reas<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Casey Reas” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”13545″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Casey Reas is one the leading artists creating software-based, generative artworks nowadays. Active since 2000, he has exhibited worlwide in contemporary art museums, galleries, festivals, and other venues. He is the co-creator, with Ben Fry, of the programming...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"Christa\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Christa Sommerer and Laurent Mignonneau<\/a>\n <\/div>\n
[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”portfolio”][vc_column][vc_tabs tabs_align=”center” css_animation=”fade-up” el_class=”tab”][vc_tab title=”Christa Sommerer and Laurent Mignonneau” tab_id=”1589893367311-4-6″ el_class=”artist_portfolio_name”][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image image=”14561″ img_size=”full” full_width=”1″ opacity=”100″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]Christa Sommerer and Laurent Mignonneau are internationally renowned media artists, researchers and pioneers of interactive art. In 2004 they set up the department for Interface Cultures at the University of Art and Design in Linz,...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n\n <\/div>\n<\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”dam-artists”][vc_column][vc_custom_heading text=”Social Media and Post Digital” font_size=”22″ font_weight=”700″ link=”url:http%3A%2F%2Fdam.org%2Fwp%2F%3Fpage_id%3D11500|title:Phase%20Three||”][vc_column_text]

\n
\n
\n <\/div>\n
\n
\n
\n
\n \"\u00c0\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n \u00c0 LA RECHERCHE DE VERA MOLNAR<\/a>\n <\/div>\n
Exhibition at Ludwig M\u00fazeum, Budapest<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"AR\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n AR BIENNALE. HYBRID NATURE<\/a>\n <\/div>\n
Exhibition at NRW-Forum D\u00fcsseldorf, Germany<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"WORLDBUILDING.\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n WORLDBUILDING. GAMING AND ART IN THE DIGITAL AGE<\/a>\n <\/div>\n
Exhibition at Centre Pompidou-Metz, France<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Behind\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Behind the screens<\/a>\n <\/div>\n
Exhibition at CODA, Apeldoorn<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Coded:\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Coded: Art Enters the Computer Age, 1952-1982<\/a>\n <\/div>\n
Exhibition at LACMA, Los Angeles<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"DIFFERENCE\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n DIFFERENCE MACHINES: TECHNOLOGY AND IDENTITY IN CONTEMPORARY ART<\/a>\n <\/div>\n
[vc_row][vc_column][vc_single_image image=”15396″ full_width=”1″ opacity=”100″][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Difference Engines TECHNOLOGY AND IDENTITY IN CONTEMPORARY ART Wrightwood 359 (Chicago, IL) Oct 13 – December 16, 2023 How does technology shape our identities and what is the relation between the two? How do the tools we use shape the way we see ourselves? This question is addressed by Difference Engines, a...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"Envisioning\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Envisioning AI: Legacy and Impact of the Connection Machine<\/a>\n <\/div>\n
Conference at ZKM | Center for Art and Media<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Herbert\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Herbert W. Franke: Visionary<\/a>\n <\/div>\n
Exhibition at Francisco Carolinum, Linz<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Frieder\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Frieder Nake Reflects on 60 years of Algorithmic Art<\/a>\n <\/div>\n
Tracing six decades of algorithmic practice, from Zuse machines to contemporary code.<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Harold\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Harold Cohen: AARON<\/a>\n <\/div>\n
Exhibition at Whitney Museum of American Art, New York<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"HYPER\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n HYPER DIGITAL FORCES,Borusan Contemporary, Istanbul, Turkey<\/a>\n <\/div>\n
[vc_row][vc_column][vc_single_image image=”15375″ full_width=”1″ opacity=”100″ animated_svg=”1″][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Hyper Digital Forces Borusan Contemporary, Istanbul, Turkey   This exhibition, drawn from the Borusan Contemporary Art collection and curated by Dr. Necmi Sonmez, features work that use experimental approaches to producing New Media art framed by the possibilities afforded by digital processes.\u00a0 Hyper Digital Forces explores the “New Visuality” underscored by...

Continue reading<\/span><\/a><\/p><\/div>\n <\/div>\n<\/div>\n <\/div>\n

\n
\n
\n \"KINETISMUS:\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n KINETISMUS: 100 Years of Electricity in Art<\/a>\n <\/div>\n
Exhibition at Kunsthalle Praha, Prague<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Lynn\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Lynn Hershman Leeson: Twisted<\/a>\n <\/div>\n
@ New Museum, New York<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Mark\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Mark Wilson: painting is an algorithmic procedure<\/a>\n <\/div>\n
Video documentation<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Casey\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Casey Reas and Harm van den Dorpel in conversation on art, software and NFTs<\/a>\n <\/div>\n
Friday Meet-Up at DAM Projects, Berlin<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Manfred\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Manfred Mohr: The Art of Generative Thinking<\/a>\n <\/div>\n
Interview by Margit Rosen for ZKM on October 12th, 2021<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"A\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n A Leap into the Void. Art beyond Matter<\/a>\n <\/div>\n
Exhibition at GAMeC, Bergamo<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Frieder\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Frieder Nake: the beginnings of digital art<\/a>\n <\/div>\n
Interview by Wolf Lieser<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Ornamental\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Ornamental Spaces by Georg Nees at DAM<\/a>\n <\/div>\n
Exhibition at DAM Projects, Berlin<\/div>\n <\/div>\n<\/div>\n <\/div>\n
\n
\n
\n \"Mark\n
\n <\/a>\n
\n
\n <\/i><\/a>\n <\/i><\/a>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n
\n
\n Mark Wilson: Moveto Lineto at DAM<\/a>\n <\/div>\n
Exhibition at DAM Projects, Berlin<\/div>\n <\/div>\n<\/div>\n <\/div>\n <\/div>\n\n
\n <\/a>\n<\/div> <\/div>\n<\/div>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”dam-artists”][vc_column shift_x=”0″ shift_y=”0″ z_index=”0″][vc_custom_heading text=”The Pioneering Years” font_size=”22″ font_weight=”700″ link=”url:http%3A%2F%2Fdam.org%2Fwp%2F%3Fpage_id%3D11492|title:Phase%20One||” css=”.vc_custom_1598036066060{padding-top: 20px !important;}”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”dam-artists”][vc_column][vc_custom_heading text=”The Personal Computer” font_size=”22″ font_weight=”700″ link=”url:http%3A%2F%2Fdam.org%2Fwp%2F%3Fpage_id%3D11498|title:Phase%20Two||”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”dam-artists”][vc_column][vc_custom_heading text=”The Internet Age” font_size=”22″ font_weight=”700″ link=”url:http%3A%2F%2Fdam.org%2Fwp%2F%3Fpage_id%3D11500|title:Phase%20Three||”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=”” shift_y=”0″ z_index=”0″ el_class=”dam-artists”][vc_column][vc_custom_heading text=”Social Media and Post Digital” font_size=”22″ font_weight=”700″ link=”url:http%3A%2F%2Fdam.org%2Fwp%2F%3Fpage_id%3D11500|title:Phase%20Three||”][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11483","page","type-page","status-publish","hentry","entry","clearfix","entry-post-module-layout-sidebar-right","thumbnail-color-tone-dark","entry-post","entry-standard","entry-post-standard"],"_links":{"self":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/pages\/11483"}],"collection":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/comments?post=11483"}],"version-history":[{"count":10,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/pages\/11483\/revisions"}],"predecessor-version":[{"id":12429,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/pages\/11483\/revisions\/12429"}],"wp:attachment":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/media?parent=11483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}