[vc_row][vc_column width=”1\/4″][vc_single_image image=”14564″ img_size=”full” full_width=”1″ hover_effect=”opacity” opacity=”100″][vc_custom_heading text=”About Christa Sommerer and Laurent Mignonneau” font_size=”22″ font_weight=”700″][vc_column_text]Christa Sommerer and Laurent Mignonneau are internationally renowned media artists, researchers and pioneers of interactive art. They have created around 40 interactive artworks that have been exhibited in around 350 international exhibitions and received numerous awards, such as the Golden Nica at the Prix Ars Electronica in 1994.[\/vc_column_text][vc_button button_type=”kayo-button-primary” title=”see profile” align=”left” i_icon_fontawesome=”fas fa-chevron-right” font_weight=”700″ button_block=”true” add_icon=”true” el_class=”Downloadpdf” link=”url:https%3A%2F%2Fdam.org%2Fmuseum%2Fartists_ui%2Fartists%2Fsommerer-mignonneau%2F|title:Christa%20Sommerer%20and%20Laurent%20Mignonneau||”][\/vc_column][vc_column width=”3\/4″][vc_single_image image=”15170″ full_width=”1″ opacity=”100″][vc_column_text]<\/p>\n
The exhibition \u00bbThe Artwork as a Living System\u00ab<\/strong><\/a> provides an overview of the work of the Austrian-French artist duo\u00a0Christa Sommerer and Laurent Mignonneau<\/a>\u00a0<\/strong>since the early 1990s. Moving between the subject areas of natural science, technology and art,\u00a0Sommerer<\/a>\u00a0and\u00a0Mignonneau<\/a>\u00a0pioneered the \u00bbArt of Interface\u00ab, in which innovative technical interfaces enable physical interaction between simulative visual worlds and the world of natural sensory organs. Very early on, they also used algorithms to represent not only the forms of the living, but also their evolution and growth. In fourteen installations, which are created only through the actions of the audience, man-made artificial systems are shown that exhibit behavior like natural living organisms. Technical devices originally designed by the artist couple produce virtual realities and immersive environments beyond the previous horizon of experience. Their works, now almost classics of digital art, open a new horizon in which artworks act as living systems. Few artists have shaped the transition from the moving image media phase to the living image media like\u00a0Sommerer<\/a>\u00a0and\u00a0Mignonneau<\/a>.<\/p>\n \u00bbTheir works are technologically inventive, scientifically instructive, and artistically imaginative. As a result, visitors inside leave their works richer for aesthetic, ludic, and cognitive experiences and insights.\u00a0Sommerer and Mignonneau<\/a>‘s exhibition is more than a cabinet of curiosities, more than a terrarium, more than an aquarium; it shows mythical creatures, artificial creatures, a so far unseen panorama of imagination and technical ingenuity\u00ab. (Peter Weibel)<\/p>\n Their media-art works, based on scientific findings, open up the possibility of exploring the growth of plants or the behavior of tiny computer-generated creatures such as flies and beetles and their embedding in complex ecosystems. Works such as \u00bbInteractive Plant Growing\u00ab (1992), \u00bbA-Volve\u00ab (1994), or \u00bbPortrait on the Fly\u00ab (2015), which are in the collection of the ZKM | Karlsruhe, simulate living systems in which touching real plants or moving in front of a screen generates transformations in digital space. The augmented reality installation \u00bbAR[t]chive\u00ab (2022), presented for the first time in the exhibition, allows visitors to explore in AR\u00a0Sommerer and Mignnonneau<\/a>‘s archive.<\/p>\n The exhibition is a co-production of ZKM | Karlsruhe,\u00a0O\u00d6 Landes-Kultur GmbH<\/a>, Linz and\u00a0iMal<\/a>, Brussels. The exhibition is accompanied by a scholarly publication in English edited by\u00a0Karin Ohlenschl\u00e4ger<\/a>,\u00a0Peter Weibel<\/a>\u00a0and Alfred Weidinger in the Leonardo Book Series in collaboration with MIT Press.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" Exhibition at ZKM, Karlsruhe<\/p>\n","protected":false},"author":2,"featured_media":15170,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[362],"tags":[],"class_list":["post-15169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-blogs","entry","clearfix","entry-post-module-layout-sidebar-right","thumbnail-color-tone-dark","entry-post","entry-standard","entry-post-standard"],"_links":{"self":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/posts\/15169"}],"collection":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/comments?post=15169"}],"version-history":[{"count":2,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/posts\/15169\/revisions"}],"predecessor-version":[{"id":15172,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/posts\/15169\/revisions\/15172"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/media\/15170"}],"wp:attachment":[{"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/media?parent=15169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/categories?post=15169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dam.org\/museum\/wp-json\/wp\/v2\/tags?post=15169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}