klangfarben (2006-2007)
Following a logic inspired by the rules of “serial music,” Mohr explores the 40 billion possible diagonal paths in an 11-d hypercube using four sets of eleven diagonal paths rendered with three different line widths, created by a custom software written by the artist. This process is shown on two square LCD screens, one displaying 2 to 10 diagonal paths rotating in slow motion, while the other depicts a fixed composition. The screens are placed in a 90 degree angle to encourage the viewer to observe either one or the other.
More works
algorithmic modulations (2019)
Transit-Code (2017-2018)
Artificiata II (2012-2015)
parallelResonance (2009-2011)
klangfarben (2006-2007)
subsets.motion (2003-2005)
subsets (2003-2005)
space.color.motion (2002-2004)
space.color (1999-2003)
Half Planes (1995-1998)
Counterpoint (1993-1995)
Laserglyphs (1990-1993)
Line cluster (1989-1990)
Dimensions II (1986-1989)
Divisibility II + III (1984-1986)
Divisibility I (1980-1984)
Dimensions I (1977-1979)
Cubic limit II (1976-1977)
Cubic limit I (1973-1976)
Early algorithms (1969-1973)
Hard edge (1966-1969)
Early work (1960-1966)