klangfarben (2006-2007)

Following a logic inspired by the rules of “serial music,” Mohr explores the 40 billion possible diagonal paths in an 11-d hypercube using four sets of eleven diagonal paths rendered with three different line widths, created by a custom software written by the artist. This process is shown on two square LCD screens, one displaying 2 to 10 diagonal paths rotating in slow motion, while the other depicts a fixed composition. The screens are placed in a 90 degree angle to encourage the viewer to observe either one or the other.