Hommage à Monet (1981-1983)

This series is dedicated to one of the three artists whom most inspired Molnars work: Claude Monet. The deconstructed the hypnotic effect of the small orange reflections of Monet’s Impression, Sunrise (1872) through a series of compositions in which the proportion and distribution of small colored rectangles were subjected by the computer to a combination of constraint and chance.